This week, we’re spotlighting four prizes from the AWP. The deadline for each is Feb 28.
The Association of Writers and Writing Programs (AWP) sponsors annual competitions for book-length works: the Donald Hall Prize for Poetry and the Grace Paley Prize for Short Fiction, both of which award the winners $5,500 and publication, as well as AWP Prize for Creative Nonfiction and AWP Prize for the Novel, the winners of which receive $2,500 and publication.
by Campbell Geeslin
“A remarkable thing about the novel is that it can incorporate almost anything,” wrote Thad Ziolkowski in Sunday’s New York Times Book Review. He directs the writing program at Pratt Institute and is the author of a novel, Wichita.
The novel, he said, “can contain essays, short stories, mock memoirs, screenplays, e-mails—and remain a novel. This elasticity is also a sign that unlike, say, the epic or the ode, the novel is a living, evolving form. But if its outer limits are virtually nonexistent, the minimum requirement is generally that there be a narrator telling us something. In this way, any manner of book can find a way to justify calling itself a novel, but the label should not be worn lightly since it invites scrutiny of the highest and most exacting kind.”
This week’s recent and upcoming books by our members include titles by Kathi Appelt, Matt de la Peña, Jan Ellison, James Grippando, Eleanor Lerman, Walter Mosley, Gene Perret, Harrison Rashad, Tom Rumer, Rebecca Scherm, Sharma Shields, and Tracy Weber. Titles below the jump.
There’s no question that websites trafficking in stolen creative works profit handsomely from their piracy, compete unfairly with legitimate sites, and generally play the role of the thorn in the side of creators everywhere.
The question is how to stop them. Many of these sites are hosted offshore, and any writer who’s tried to send a DMCA takedown notice knows that once a pirated work has been taken down, there’s a decent chance it will pop back up somewhere else.
A recent report commissioned by the Digital Citizens Alliance proposes an answer: put pressure on the companies whose services the pirates depend on, and who profit in turn from the piracy. “All it takes for bad operators to succeed,” the report says, “is for the facilitators of commerce—payment processors and the advertising industry, among other stakeholders—to do nothing.”
This week’s batch includes a mixed bag of prizes including a residency, a translation prize, and an award that caters to writers with families. Deadlines range from Feb 1-Feb 27.
The Philip Roth Residence in Creative Writing offers emerging writers four months of writing time at Bucknell University, without formal academic obligations, so that they may complete their first or second book. Bucknell now offers two residencies each year, one in each semester. The fall residency extends from late August to mid-December; the spring residency from mid-February to late May. Each residency provides on-campus housing, an office in the Stadler Center, and a stipend of $5,000. This year the residencies will be awarded to prose. Deadline: February 1, 2015. For more information, visit the website.
A lively audience of readers gathered last Thursday evening at New York City’s Kaufman Center to hear a panel of four authors hash out the contentious proposition that “Amazon is the reader’s friend.”
The Oxford-style debate, hosted by Intelligence Squared (IQ2), featured two writers arguing for the motion and two against it. In the Amazon corner were self-publishing guru Joe Konrath and Matthew Yglesias, Executive Editor of Vox. Pitted against them, former Authors Guild President Scott Turow and Franklin Foer, former Editor of The New Republic, contended that Amazon is not, by a long shot, the reader’s friend.
The IQ2 debates declare a winner by polling the audience at both the beginning and the end of the arguments, and comparing the results. The side that sways more people takes the cake. Before the debate, 41% of the audience voted for the proposition that Amazon is the reader’s friend, 28% voted against it, and 31% were undecided. At evening’s end, there was a clear victor: the Amazon apologists managed to increase their backers by a mere one percentage point, while Turow and Foer earned a 22% spike, overwhelmingly capturing the undecided vote.
Throughout the evening, Yglesias and Konrath largely stuck with the appealing arguments that Amazon’s low prices for readers and higher royalty rates for its self-published authors are benefits without downsides. But Turow and Foer’s effectiveness lay in taking a position that honored the diversity of the literary ecosystem. Left unchecked, they suggested, we may end up with a book world controlled by Amazon. The better option by far is a competitive plurality of publishers and distributors.
by Campbell Geeslin
James Laughlin died in 1997. He was a unique figure in literature. He took his inherited millions and founded New Directions. He published Paul Bowles, Henry Miller, Tennessee Williams, Dylan Thomas, Boris Pasternak and many others. My shelves are punctuated with New Directions titles. The jackets, by top designers like Alvin Lustig, are works of art.
Dwight Garner reviewed two books about Laughlin in The New York Times:
Liturchour Is My Beat: A Life of James Laughlin by Ian S. MacNiven, and The Collected Poems of James Laughlin edited by Peter Glassgold.
Garner wrote that “Laughlin was a hard man to know, his charming public face eating into his private one.” Gertrude Stein told Laughlin his poetry was inferior, and he suffered from a bipolar disorder that he inherited along with his fortune. Garner ended the review with: “If there’s a literary heaven I hope Laughlin the publisher is in it. ‘I fear death,’ he wrote a friend, ‘because I can’t recall that Dante mentions any book in hell.’”
This week’s recent and upcoming books by our members include titles by Linda Ashman, Paulette Bogan, Kimberly Brubaker Bradley, Michelle Falkoff, Nikki Grimes, Jennifer Niven, Mary Pope Osborne, Marjorie Blain Parker, Gene Perret, Deborah Reber, April Pulley Sayre, and Cynthia Weill. Titles below the jump.